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Tuesday, August 19, 2008

God Bless the King! Lucrecia R. Kasilag 1917-2008


Aug 19, '08 4:19 AM

I was just one of the scholars of the CCP Dance Company when Lucrecia R. Kasilag – fondly called ‘Tita King’ by everyone – was CCP president and artistic director. As far as I was concerned, she was second only to Imelda Marcos, then First Lady and the most important figure in the Philippine art scene.

My sister Alice (Reyes) had completed a successful modern dance concert at the CCP after which she approached Tita King to talk about a subsequent summer dance workshop. It was granted. Then, with Jaime Zobel de Ayala, they later talked about a putting up new dance company. Granted again. Today, 40 years later, that company is Ballet Philippines, a company that holds a formidable track record in Philippine art history.


As a nobody in the 70’s, I would cringe and cower at the backstage corridors whenever Tita King passed by to congratulate the dancers after a show. People worshipped her and I preferred to slip in the safe shadows of oblivion. The woman, afterall, was a world renowned and multi-awarded composer, performer, teacher, administrator, pioneer, leader etc., etc. I’d eye her at the CCP lobby during opening nights and was awed by the number of people flocking around her. Oh yes, she was a King alright and I was but her admiring, unknown minion.

A few years later, I did have to approach her. I was getting married, you see, to Nonoy Froilan. As lead dancers of the company it was appropriate that she be one of our wedding sponsors. “Sorry Eds,” Alice told me, “but for this special occasion, you’ll have to ask Tita King yourself.” Oh boy, how difficult was it to get married?

Nonoy and I timidly went up to her office at the third floor of the CCP where I have never been before. She was seated behind a desk full of important-looking, intimidating papers; contracts, documents, treaties, bonds … why should she bother with us? We were just getting married.

“T-t-t-tita K-k-k-k-king,” we began …

“Hi Nonoy! Edna!” she beamed and I was flabbergasted.

“What can I do for you?” she continued smiling as if we were her very important guests.

“Tita King … ahm, err, gulp, ahem … we’re getting married.”

“Oh! Congratulations! When is the special day?”

“August 19 …” we gasped, “and … and … it would be an honor if you could be one of our sponsors.”

“Sure! I’ll be more than happy to be your ninang,” she replied, still beaming. “Let me put that down in my calendar.”


To my astonishment, she pulled out a minuscule appointment book – the ones minor people use – and jotted down the date of our wedding. Tita King! I wanted to shriek, You’re the CCP president and our appointment books are the same! That was how 'cowboy' she was.


My next encounter with her was when I had to choreograph a full length ballet, Adarna, for Ballet Philippines. We asked her to compose the music which she warmly agreed to do.

One of her works, Divertissement, was used by Gener Caringal in his choreography, Ang Sultan. This was the most performed piece in our repertoire, danced all over the world with acclaim. Needless to say, her music contributed to the resounding success of the piece.

I was both thrilled and terrified to collaborate with Tita King for the first time. For Adarna though, I had only a few weeks on my hands and was a toxic wreck. She was very busy at the time and could not submit a music draft early enough. I had to choreograph in silence creating my own rhythmic patterns and imagining melodies. When we later met, I had this fantastic idea of putting the dances on video which she would watch and compose to. It’s the complete opposite of what was routine – music before dance. This was gong to be dance before music and she really got excited about it. How brilliant was that? I never found out because I flaked instead. I decided to put up an existing music colage of my own.

Telling Tita King that I would no longer use her services was like telling the Empress Dowager of China that she couldn’t run an errand for a slave. But she took it so well you wouldn’t believe she was this great artist … yet again, she proved that she was. She completely understood my predicament and gave me her blessing instead of her ire, agreeing instead to serve as music consultant with Rudy Vidad. And, as for my punishment, Adarna flopped. My apologies to all the fine artists involved in it.

Ridiculous as it may seem, when I started to write, I had the nerve to interview her for my column at the Manila Times. Again, she gladly obliged and I ended up writing two articles on her. That was when I caught her up close. Tita King was the most down-to-earth legendary figure on this face of the earth. I learned, just from her disposition, that the greatest of the greats are the most humble, unassuming, self-effacing and extremely funny human beings. Tita King truly laughed at herself and was never the condescending person others (of slighter stature) often tend to be. No wonder people flocked around her.


When she fell ill, Nonoy and I kept promising ourselves that we would visit her. “Let’s do it next week? Next month? Next year?” We never did and this we mournfully regret. When I found out she had passed away, all I kept thinking about were the nights she was surrounded by countless followers. I’m sure she was looked after by loyal friends and relatives but where was everyone else – Nonoy and I included – when she was but a lonely, crippled, almost blind person? Is it only in death that we are to exalt her again?

As if on cue, today, on the day of our wedding anniversary, we got a call from Max Luna, one of the directors of Ballet Philippines. He asked us to please mount the pas de deux of Ang Sultan for Tita King’s necrological services at the CCP Main Theater this coming Thursday, Aug. 21. The dancers have two days to learn it. What better way to give tribute to our ninang, than to mount her work on the day of our wedding? We will rush to CCP tonight to rehearse the dancers.


And so, another magnificent soul has completed an outstanding journey. Thank you for everything, Tita King. You served us well and honored us, the little ones, your humble minions. Without you sitting on that throne many of us wouldn’t have made it. You basked in the glory of your influence and when it was all gone, you humbly endured alone. Where were we when you needed us? Fighting to reach the peak that you reached, perhaps, and now begging your pardon for our apathy. There you sat on your wheelchair anyway, cheering us on. For that you are truly a great person. Hail to the king! our beloved Tita King, who will surely receive her real crown in heaven.

Monday, August 11, 2008

Edna Vida Froilan: Benjie Toledo & Tony Fabella: Of Friends and Loved Ones …

Edna Vida Froilan: Benjie Toledo & Tony Fabella: Of Friends and Loved Ones …

Benjie Toledo & Tony Fabella: Of Friends and Loved Ones …



Dear Friends -- We had a beautiful memorial mass for Benjie Toledo at Santuario de San Antonio, Forbes Park last Aug. 4. It was an intimate gathering of his friends from all walks of life.

Hospicio de San Jose nuns, two classmates from the orphanage, CCP and Bayanihan dancers, models, singers, composers, designers, writers, his family in Manila: Tony Fabella, Eddie Elejar and Luther Perez, and NY’s Orly and Leah Bartolome were all there.

The Manila Dance Choir (Tony and Luther’s Manila sector of street kids) sang hymns during mass along with the Hospicio nuns.

Ding Mercado’s rendition of ‘Minahal Kita’ was so moving it drove some to tears. I was asked to read my Multiply blog article on Benjie. Leah too said a few words.

Friends brought food and there was bonding that followed.
I often glanced at Mara sitting at the side of the chapel
looking solemnly radiant.


Benjie was definitely beaming. I’m sure he was so very happy that day.


Now, let me continue with news about Tony Fabella, Benjie’s mentor. Tony Fabs or Ton, as we fondly call him, will have an operation on Sept. 5 at the Philippine General Hospital (PGH) in Manila. His cardiovascular surgeons, Dr. Catalan and Dr. Kaw briefed him and Luther on the procedure and costs. “You know,” Ton said, “when the doctors were explaining everything to us, nothing entered my mind. I just kept nodding.” So it was Luther who gave me the facts that I’d like to share with you.

Early this year, Tony Fabs was diagnosed with colon cancer, stage 1, for which he had to undergo a series of radiation treatment. Let me add that it’s the bane of dancers – and a majority of artists, especially in the Philippines – never to think of insurance policies.

Like the rest of us, Tony Fabs never bothered with these ‘trivial’ insurance policies. He just keeps sharing his craft with anyone who is interested in dance.



When we are still hale and hearty and doing things the body is never meant to do in the first place; dance 8 hours straight, starve, turn 32 times on one leg, leap like a frog, lift bodies overhead, etc., etc., etc., we all believe we are perpetually invincible.

When the diagnosis came and, because he is our beloved Tony Fabs, people rallied round to his aid. Contributions and dance tributes given in his honor raised enough to help meet high medical costs.

Later, Ton told me that he was troubled by a bizarre medical development. Scans revealed that he not only had cancer but also abdominal aortic aneurysm. The doctors said that after radiation treatment, he will be given time to gather strength for another major operation, one that costs a lot more and has higher risks.


Luther roughly
explained to me what ‘abdominal aortic aneurysm’ means. “The aorta, which is the main artery of the heart, extends all the way to the stomach. This is what I understood from the doctors. CT scans showed that two veins in Ton’s abdomen collapsed, are inflamed and now getting larger. It’s being clogged creates pressure. Ton’s veins are swollen and on the danger mode. If they burst, he will have an internal hemorrhage.”

They were given two choices by the doctors. One operation costs P300,000 and another about 1 million. These packages include doctors’ fees but not post operation expenses which may come later due to complications. They chose the first option. “It all depends on how strong Ton is.” As it is, they are still short of P120,000 so “… dinedma na lang namin yung 1 million,” Luther nervously adds, feigning a giggle.

He also revealed that the first option is more risky because it is an open surgery. A tube will be inserted to replace the problematic vein and create another passageway for the blood to flow through. Although it has a 95% success rate, Tony’s heart and blood pressure will be monitored extensively after the operation. “If Ton recovers well, he can go home in a little over the week and be active in two months. So please ask everyone to pray for his speedy recovery!”

The second option, recommended for Ton’s age, is less invasive. They will insert a tube from his thigh and it will trace all his veins to locate the problem. “This one is a ‘blind’ procedure, hindi sure, so it can be repeated,” Luther adds. “But it is costly and because of financial constraints we’re going for the first option.”

The previous benefit shows helped them a lot. Another dear friend is planning another tribute in December, “… the time of Ton’s recuperation when post operation expenses may come. We also need six persons for blood donations. Ton is Type O but people can donate blood regardless of their blood type. It’s only meant to replace the old stock.” To inquire about this, please text Luther at 0917-8317974.

Tony remains brave. “For me, the colon cancer is on it’s way out.”

“Yeah, you’re looking good … so you’re healed!” I offer.

“And this one … I don’t want to know much about. Maybe I don’t want to know too much,” he laughs.

After his initial radiation treatments his voice did sound exhausted. I’m only too happy to hear his legendary giggle again which means he is getting stronger everyday. I ask everyone to storm heaven with prayers for the success of his operation on September 5 and for his immediate recovery.



I wrote an article about Tony Fabs in the June 2008 edition of Town and Country, Philippines. If you can get a copy, please read it. I will put the article in my blog sometime December since I am to wait for six months before posting it.

Filipino artists are among the few people who bring honor to our country. Yet, the government has not done much to support them. The CCP and NCCA are doing their best but there is still too much state bureaucracy preventing our arts administrators from buoying up full-scale support. Many artists retire in oblivion, poverty and with very little dignity. A few are still asked to practice their craft for free or for a price so ridiculous it is demeaning.

In my opinion, Tony is one of those who have reached a status of prominence that he should be in a pedestal honored not just by younger artists but by the whole country. Artists of his caliber abroad are held in such esteem and reverence. But here, it bounces back to the ‘family’ of artists who end up helping one another. In this context, a group of us has come with with the Artists Welfare Project, Inc. which I will write about soon.

Going back to my beloved mentor, for those who would like to help, please email him at tonyfabz@yahoo.com. He has so much to teach, to give, to create. Let’s keep one of the country’s most fabulous artists on his feet, our much-loved Tony Fabella.


(The photos of Benjie in this blog came from friends who emailed them to me - thanks! The old photos of Tony Fabs were taken by the late Rudy Vidad. They are some of Tony's works for the CCP Dance Company/Ballet Philippines: Prince of the Pagodas, Batuque, Six for Kasilag, Semana Santa. Tony's dancing photos are from his lead roles in Rosalia Merin-Santos' Halina't Maglaro and Alice Reyes' A Midsummer Night's Dream.)

Friday, August 1, 2008

Bye Benjie ...




Ruben Toledo 1955-2008

I was very young, 18 years old maybe, when I first met him. I was a scholar of the CCP Dance Company, now Ballet Philippines (BP). “Who’s the gorgeous guy?” I whispered to my friend, Maribeth Roxas, as he stepped into the rehearsal hall. Always on the look out for partners who were taller than us, we were stunned when we saw this dashingly handsome, tall, young man. His name was Benjie Toledo.

“Saang lupalop nanggaling yan?” I gasped. “Okay, Maribeth, since I have Nonoy (Froilan, as boyfriend), I hereby authorize you to go after Adonis but we have to share him as partner.”

She did become Benjie’s girl and I did become his partner mostly.


We became a foursome, double-dating during breaks at Harrison Plaza where our boyfriends got all the attention. We went to gay bars too – the ‘in’ thing to do in the 70’s. I don’t know why Maribeth and I punished ourselves. Walking into a gay bar with two handsome men meant pure condemnation. I overheard one gay say sarcastically, “Uy ang gandang bakla (What a gorgeous fag),” as he looked straight into my eyes.


In the 70’s and 80’s we were young vibrant dancers touring Australia, Southeast Asia, Europe and the USSR. Maribeth and I would shop in high heals while Benjie and Nonoy tagged behind carrying our load. Benjie was always bursting into laughter and I loved to make him laugh by ‘insulting’ him whenever he was my partner.

I’d say, “Hoy Benjie, nag sipilyo ka na ba ng ipin? (Did you brush your teeth?)

“Wa ha ha!”

Nag deodorant ka na ba?”

“Wa ha ha!”

Pare, buhatin mo naman ako (Haul me up). I keep falling when you lift me …”

Eh pare naman, kasalanan ko ba kung para kang isang sakong bigas (My friend, is it my fault if you’re like a sack of rice)?”


Well he was right. I was heavy. Benjie was a sensitive partner – the kind that makes you look good before making himself look good – and all the girls felt secure dancing with him. He also partnered Maribeth, who changed her name to Elizabeth Roxas and became a star of New York’s Alvin Ailey Dance Company, Lyd Lyd Gaston, another formidable dancer/actress in New York, and Gina Mariano who now resides in Europe.

All was not perfect for our picture-perfect Benjie though. I had qualms about writing this undisclosed detail in his life, something only the dancers knew about, so I asked permission from his guardian Tony Fabella if I could include it in my story. Tony said it was part of his life and not writing about it would make my narrative incomplete.



Whenever he was tired he had ghastly nightmares – and during our tours he was always tired. He would be in a sort of frenzy, scream, pound on doors and virtually attempt to escape from something traumatic. Why, no one ever knew.


Was there something in his past that caused this? Not even his guardians, Tony and Eddie Elejar, could tell.

Benjie was brought by a mysterious woman to Hospicio de San Jose, an orphanage, at the age of 4. She never went back to get him. He had no birth certificate, was without family and his only link to the past was his mother’s name, Rosa. He stayed at the orphanage till he was in grade 6 after which he transferred to a seminary in Bicol. When he
returned to Manila he studied at the University of the East.


There, a friend introduced him to Tony who took him to the CCP Dance Company. Tony and Eddie became his guardians in a quaint apartment in Maytubig St. Under their tutelage, his career in dance and modelling flourished.


I noticed a kind of solemnity veiled behind Benjie’s sunny disposition.
He always had a faraway look, like he was pledging something to the future. I sensed it was a determination to make something of his life. Despite the love that poured from people he was a lonely soul. When we all went home to our families every night he must have felt isolated and
Benjie masked this with the brightest smile. In between dancing, he modelled and entered a world far removed from the Nutcrackers and Swan Lakes at the CCP. I do know he made friends with many models who remained his friends throughout his life.


In the early 80’s Benjie left for Hong Kong, then the US. I was not to see him for almost 25 years. He later told me he managed as an events supervisor, retailer and whatever else he could handle just to survive.

Making it in New York is an impressive thing for someone who had nothing but talent, persistence and a goal. When Nonoy went to New York in the 90’s he stayed with Benjie who embraced him like a long lost brother. Nonoy brought back a video of them bonding in his apartment and there was our Benjie beaming and calling me pare all over again. How happy his face was. Nonoy again sensed his loneliness in the hard slog that was New York.


Two years ago I got a surprise phone call. “Pare … guess who this is? Wa ha ha!”

“Eh di sino pa kung hindi si Benjie Toledo!I screeched,
recognizing his booming laughter.

He was in Japan on his way to Manila but we talked for an hour picking up from where we left off; trying to squeeze two decades in 60 minutes. I was talking to my kid brother again at last. When I finally saw him I was again stunned. At 50, he looked as dashing, trim and robust as I last laid eyes on him. “Benjie, I thought I would never see
you again,” I whispered during a serious moment. For some strange reason, I really felt this reunion was significant.

He stayed briefly for that visit but returned to Manila several times. Again, I sensed something mystifying in Benjie. With that same faraway look, he told me he had been going to mass and receiving communion every single day for the past years.

He was making a new baffling pledge to the future but this time he was in a big hurry. He wanted to do so many things; establish business partnerships in Manila, see old friends and meet new acquaintances. I found him fairly makulit and would
tell him so in exasperation. Finally, I promised I’d give him the best-looking Filipina dates even though speed seemed to be the prerequisite.

Teka lang,” I said, “looking like that … how come you never married?”

His face turned serious as he muttered, “… a heartbreak … but I haven’t really found my soulmate.” Benjie was always surrounded by women but kept back some 30% of his love when it came to relationships.

“Well she’s out there somewhere and I’ll help you find her!” I said smugly.

“I’m not sure I can be with Filipinas …” he added.

“Oh yeah?” I exclaimed. “Be careful of what you say because you will end up with one.”

Then he broke into the vintage: “O, pare! Saan na ang date ko!?”

To which I said, “Eh bakit ka ba nadmamadali (Why the heck are you in such a hurry)?

An ominous question.

Not long after he found out he had cancer, stage 4. His time was running out. We were all shocked to hear that he was diagnosed with something called Mestastesez Adinocarcinomano Primary or pancreatic cancer. His lungs and liver had
mestastesized
and the cancer cells had invaded his kidney, adrenals and skull. He had quietly endured stomach pains in the past but an acute pain last November forced him to seek medical help. The news spread quickly and friends offered their heartfelt support.


Thanks to former BP dancer Peping Antonio’s emails to friends all over the world, personal contributions poured in A benefit show, organized especially for him
and Tony Fabella by Miguel Braganza, was held at the
Wings Theatre in New York
. Special healing masses were also arranged by friends at the San
Lorenzo de Ruiz Chapel in the States and by Rosky Hilado in Manila. All throughout the seven-month ordeal, Benjie remained positive. He wanted so much to live.

He wrote me: “My fifth chemo was Feb. 20, 2008 and the next chemo will be next
Wednesday. Then I have a break for 14

days for my CT SCAN to see whether the tumor is gone or healing. And I'm very sure it is healing and disappearing fast. I am so blessed that you have me in all your prayers. Thank you … Little donations go a long way. Right now I’m feeling good everyday. Very positive and praying a lot, offering all my sufferings to HIM. THANK YOU once again. Benj”

Even as the cancer in his lung, liver and head were considerably reduced, his body eventually resisted chemotherapy and health declined. He lost weight and shaved his head. By then his stomach had bloated because of the fluids retained in his lungs and liver.

God sent angels to take care of Benjie. Jojit Fernandez, her husband, Martin Musial, Jojit’s sister Chico Bonoan and her husband Tody, who was his primary
d
octor, plus Jay, Tody’s brother were his bona fide family in the States. Benjie always spent weekends, Christmas, Thanksgiving and holidays with them. After he was diagnosed in November, he stayed with Chico & Tody since they lived close to the hospital. They did all his errands in his days at St. Joseph’s Medical Center.

During the various times he returned to Manila, we just heard about his visits. “Hey,” I’d tell Nonoy, “I heard Benjie’s in town. How come he’s not calling us?” And I found out why. He had found his soulmate, the one I promised to give him but failed to. He found her on his own and she was to take care of him till the end.



Mara was a model he met in the early 80’s. As everyone moves on to find his or her niche in life, she and Benjie went their separate ways after their initial connection. They bumped into each other again in Manila early last year. It is difficult to describe the phenomenon of two soulmates recognizing eachother at last given the fact that commitments are set up in place. All I can say is, God may have worked out Benjie’s ultimate request – to find the love of his life – and granted it to him at the conclusion of his journey. God chose Mara because of her strength to love absolutely and then let go.


Benjie was deliriously happy because she spent those precious last moments with him. “I’m living for Mara,” he told a very good friend, Lady Sandy – he, who never had a enduring relationship. “He admitted he could never love anyone completely,” Mara adds. “There was always this fear of being abandoned and he was so happy to love someone unconditionally at last.” It was Mara who taught him to dish out love at 100%. And Benjie too, in sharing his last moments with her, brought dazzling enthusiasm into her life.

Her description of his final days is moving. “He had a burst of energy from April to mid May when I was with him. First of all, he felt great to be back home in Manhattan. We walked, dined out, watched movies and just talked and talked every day. I had to go back to Manila and by the time I returned in June he was already confined at the hospital.

“When he had acknowledged his fate and submitted everything to God, we talked about what would happen after he goes. He told me he wanted to be cremated and then he bequeathed his ashes to me. I was to take him back to the Philippines for his final resting place and I decided on a crypt in Santuario de San Antonio in Makati so I can visit him everyday. When I told Benjie this he cried like a child, saying, ‘At last I will have a home.’

“At St. Joseph’s,” Mara continues, “I saw how he inspired the hospital patients and staff. My most tender recollection of him is that he remained faithful and prayerful up to the final days. How he touched people’s lives! There was a Jamaican nurse, Sharon, who would always give him a hug and together they would bow their heads in prayer. He moved everyone to pray. He was really loved. He had an aura that drew people to him. During those days, Benjie was still stretching his legs … you know … he was still so flexible! I exercised him … and our friends would constantly massage his legs.”

Benjie’s close friends, Jesse & Edna Limson, Orly and Leah Bartolome, Diana Medina and Alberto Cruz were those who visited him everyday, giving him food and doing errands for him. Dr. Joel Lantin, his second primary doctor, also became close to him. He fondly referred to them as ‘the gang’ and Benjie constantly told them, “I will always take your worries, your problems and sickness and offer it to God and pray for you.” He was submitting his anguish to heaven for everyone he loved.

Mara relates, “In the early morning of June 25, he started having cramps starting with left finger to the thighs to the feet, suffering, suffering so much in the whole body. He cursed this pain. Morphine didn’t help. All he had to do was push a button for it to drip inside his body but he didn’t. And there was a tube that kept draining out liquid in his stomach. He just kept shouting, ‘Mara! I wanna go!”

Later in the day when two friends came over he said to me, ‘Mara, ayusin mo ako’. He wanted to look good up to the very last moment. The nurse awakened me at 4 am the following day to say that his breathing was slowing down. I held his hand and called Dr. Bonoan, Jojit and the gang to come immediately. They didn’t make it on time. I was the only one with Benjie at 4:50 am on June 26 when he drew his last breath.”


A Filipino priest told Mara that Benjie was a chosen soul, someone who prayed for others, and who died a saintly death. A memorial mass at the Blessed Sacrament Church in New York was held on June 28 and attended
by close friends and colleagues. Present were Benjie’s beloved gang.

Goodbye Benj. You will be my brother for keeps. I will always
remember your laughter, your looks, your determination, your success, your sadness and your fears. You had an incredible journey on earth where friends loved you more than a mother, a father, a brother or a sister could ever have. Alone, you made
something out of your life. You lived, Benjie. And your soulmate did come for your transition to paradise.

Sleep now … peacefully. You were a great inspiration, your mission is accomplished. You are truly home at last.