making up stories about the arts

dance. theater. film. music. visual arts. journalism. workshops. family. health.

CHECK OUT MY OTHER SITE: ednavida@multiply.com

Friday, August 1, 2008

Bye Benjie ...




Ruben Toledo 1955-2008

I was very young, 18 years old maybe, when I first met him. I was a scholar of the CCP Dance Company, now Ballet Philippines (BP). “Who’s the gorgeous guy?” I whispered to my friend, Maribeth Roxas, as he stepped into the rehearsal hall. Always on the look out for partners who were taller than us, we were stunned when we saw this dashingly handsome, tall, young man. His name was Benjie Toledo.

“Saang lupalop nanggaling yan?” I gasped. “Okay, Maribeth, since I have Nonoy (Froilan, as boyfriend), I hereby authorize you to go after Adonis but we have to share him as partner.”

She did become Benjie’s girl and I did become his partner mostly.


We became a foursome, double-dating during breaks at Harrison Plaza where our boyfriends got all the attention. We went to gay bars too – the ‘in’ thing to do in the 70’s. I don’t know why Maribeth and I punished ourselves. Walking into a gay bar with two handsome men meant pure condemnation. I overheard one gay say sarcastically, “Uy ang gandang bakla (What a gorgeous fag),” as he looked straight into my eyes.


In the 70’s and 80’s we were young vibrant dancers touring Australia, Southeast Asia, Europe and the USSR. Maribeth and I would shop in high heals while Benjie and Nonoy tagged behind carrying our load. Benjie was always bursting into laughter and I loved to make him laugh by ‘insulting’ him whenever he was my partner.

I’d say, “Hoy Benjie, nag sipilyo ka na ba ng ipin? (Did you brush your teeth?)

“Wa ha ha!”

Nag deodorant ka na ba?”

“Wa ha ha!”

Pare, buhatin mo naman ako (Haul me up). I keep falling when you lift me …”

Eh pare naman, kasalanan ko ba kung para kang isang sakong bigas (My friend, is it my fault if you’re like a sack of rice)?”


Well he was right. I was heavy. Benjie was a sensitive partner – the kind that makes you look good before making himself look good – and all the girls felt secure dancing with him. He also partnered Maribeth, who changed her name to Elizabeth Roxas and became a star of New York’s Alvin Ailey Dance Company, Lyd Lyd Gaston, another formidable dancer/actress in New York, and Gina Mariano who now resides in Europe.

All was not perfect for our picture-perfect Benjie though. I had qualms about writing this undisclosed detail in his life, something only the dancers knew about, so I asked permission from his guardian Tony Fabella if I could include it in my story. Tony said it was part of his life and not writing about it would make my narrative incomplete.



Whenever he was tired he had ghastly nightmares – and during our tours he was always tired. He would be in a sort of frenzy, scream, pound on doors and virtually attempt to escape from something traumatic. Why, no one ever knew.


Was there something in his past that caused this? Not even his guardians, Tony and Eddie Elejar, could tell.

Benjie was brought by a mysterious woman to Hospicio de San Jose, an orphanage, at the age of 4. She never went back to get him. He had no birth certificate, was without family and his only link to the past was his mother’s name, Rosa. He stayed at the orphanage till he was in grade 6 after which he transferred to a seminary in Bicol. When he
returned to Manila he studied at the University of the East.


There, a friend introduced him to Tony who took him to the CCP Dance Company. Tony and Eddie became his guardians in a quaint apartment in Maytubig St. Under their tutelage, his career in dance and modelling flourished.


I noticed a kind of solemnity veiled behind Benjie’s sunny disposition.
He always had a faraway look, like he was pledging something to the future. I sensed it was a determination to make something of his life. Despite the love that poured from people he was a lonely soul. When we all went home to our families every night he must have felt isolated and
Benjie masked this with the brightest smile. In between dancing, he modelled and entered a world far removed from the Nutcrackers and Swan Lakes at the CCP. I do know he made friends with many models who remained his friends throughout his life.


In the early 80’s Benjie left for Hong Kong, then the US. I was not to see him for almost 25 years. He later told me he managed as an events supervisor, retailer and whatever else he could handle just to survive.

Making it in New York is an impressive thing for someone who had nothing but talent, persistence and a goal. When Nonoy went to New York in the 90’s he stayed with Benjie who embraced him like a long lost brother. Nonoy brought back a video of them bonding in his apartment and there was our Benjie beaming and calling me pare all over again. How happy his face was. Nonoy again sensed his loneliness in the hard slog that was New York.


Two years ago I got a surprise phone call. “Pare … guess who this is? Wa ha ha!”

“Eh di sino pa kung hindi si Benjie Toledo!I screeched,
recognizing his booming laughter.

He was in Japan on his way to Manila but we talked for an hour picking up from where we left off; trying to squeeze two decades in 60 minutes. I was talking to my kid brother again at last. When I finally saw him I was again stunned. At 50, he looked as dashing, trim and robust as I last laid eyes on him. “Benjie, I thought I would never see
you again,” I whispered during a serious moment. For some strange reason, I really felt this reunion was significant.

He stayed briefly for that visit but returned to Manila several times. Again, I sensed something mystifying in Benjie. With that same faraway look, he told me he had been going to mass and receiving communion every single day for the past years.

He was making a new baffling pledge to the future but this time he was in a big hurry. He wanted to do so many things; establish business partnerships in Manila, see old friends and meet new acquaintances. I found him fairly makulit and would
tell him so in exasperation. Finally, I promised I’d give him the best-looking Filipina dates even though speed seemed to be the prerequisite.

Teka lang,” I said, “looking like that … how come you never married?”

His face turned serious as he muttered, “… a heartbreak … but I haven’t really found my soulmate.” Benjie was always surrounded by women but kept back some 30% of his love when it came to relationships.

“Well she’s out there somewhere and I’ll help you find her!” I said smugly.

“I’m not sure I can be with Filipinas …” he added.

“Oh yeah?” I exclaimed. “Be careful of what you say because you will end up with one.”

Then he broke into the vintage: “O, pare! Saan na ang date ko!?”

To which I said, “Eh bakit ka ba nadmamadali (Why the heck are you in such a hurry)?

An ominous question.

Not long after he found out he had cancer, stage 4. His time was running out. We were all shocked to hear that he was diagnosed with something called Mestastesez Adinocarcinomano Primary or pancreatic cancer. His lungs and liver had
mestastesized
and the cancer cells had invaded his kidney, adrenals and skull. He had quietly endured stomach pains in the past but an acute pain last November forced him to seek medical help. The news spread quickly and friends offered their heartfelt support.


Thanks to former BP dancer Peping Antonio’s emails to friends all over the world, personal contributions poured in A benefit show, organized especially for him
and Tony Fabella by Miguel Braganza, was held at the
Wings Theatre in New York
. Special healing masses were also arranged by friends at the San
Lorenzo de Ruiz Chapel in the States and by Rosky Hilado in Manila. All throughout the seven-month ordeal, Benjie remained positive. He wanted so much to live.

He wrote me: “My fifth chemo was Feb. 20, 2008 and the next chemo will be next
Wednesday. Then I have a break for 14

days for my CT SCAN to see whether the tumor is gone or healing. And I'm very sure it is healing and disappearing fast. I am so blessed that you have me in all your prayers. Thank you … Little donations go a long way. Right now I’m feeling good everyday. Very positive and praying a lot, offering all my sufferings to HIM. THANK YOU once again. Benj”

Even as the cancer in his lung, liver and head were considerably reduced, his body eventually resisted chemotherapy and health declined. He lost weight and shaved his head. By then his stomach had bloated because of the fluids retained in his lungs and liver.

God sent angels to take care of Benjie. Jojit Fernandez, her husband, Martin Musial, Jojit’s sister Chico Bonoan and her husband Tody, who was his primary
d
octor, plus Jay, Tody’s brother were his bona fide family in the States. Benjie always spent weekends, Christmas, Thanksgiving and holidays with them. After he was diagnosed in November, he stayed with Chico & Tody since they lived close to the hospital. They did all his errands in his days at St. Joseph’s Medical Center.

During the various times he returned to Manila, we just heard about his visits. “Hey,” I’d tell Nonoy, “I heard Benjie’s in town. How come he’s not calling us?” And I found out why. He had found his soulmate, the one I promised to give him but failed to. He found her on his own and she was to take care of him till the end.



Mara was a model he met in the early 80’s. As everyone moves on to find his or her niche in life, she and Benjie went their separate ways after their initial connection. They bumped into each other again in Manila early last year. It is difficult to describe the phenomenon of two soulmates recognizing eachother at last given the fact that commitments are set up in place. All I can say is, God may have worked out Benjie’s ultimate request – to find the love of his life – and granted it to him at the conclusion of his journey. God chose Mara because of her strength to love absolutely and then let go.


Benjie was deliriously happy because she spent those precious last moments with him. “I’m living for Mara,” he told a very good friend, Lady Sandy – he, who never had a enduring relationship. “He admitted he could never love anyone completely,” Mara adds. “There was always this fear of being abandoned and he was so happy to love someone unconditionally at last.” It was Mara who taught him to dish out love at 100%. And Benjie too, in sharing his last moments with her, brought dazzling enthusiasm into her life.

Her description of his final days is moving. “He had a burst of energy from April to mid May when I was with him. First of all, he felt great to be back home in Manhattan. We walked, dined out, watched movies and just talked and talked every day. I had to go back to Manila and by the time I returned in June he was already confined at the hospital.

“When he had acknowledged his fate and submitted everything to God, we talked about what would happen after he goes. He told me he wanted to be cremated and then he bequeathed his ashes to me. I was to take him back to the Philippines for his final resting place and I decided on a crypt in Santuario de San Antonio in Makati so I can visit him everyday. When I told Benjie this he cried like a child, saying, ‘At last I will have a home.’

“At St. Joseph’s,” Mara continues, “I saw how he inspired the hospital patients and staff. My most tender recollection of him is that he remained faithful and prayerful up to the final days. How he touched people’s lives! There was a Jamaican nurse, Sharon, who would always give him a hug and together they would bow their heads in prayer. He moved everyone to pray. He was really loved. He had an aura that drew people to him. During those days, Benjie was still stretching his legs … you know … he was still so flexible! I exercised him … and our friends would constantly massage his legs.”

Benjie’s close friends, Jesse & Edna Limson, Orly and Leah Bartolome, Diana Medina and Alberto Cruz were those who visited him everyday, giving him food and doing errands for him. Dr. Joel Lantin, his second primary doctor, also became close to him. He fondly referred to them as ‘the gang’ and Benjie constantly told them, “I will always take your worries, your problems and sickness and offer it to God and pray for you.” He was submitting his anguish to heaven for everyone he loved.

Mara relates, “In the early morning of June 25, he started having cramps starting with left finger to the thighs to the feet, suffering, suffering so much in the whole body. He cursed this pain. Morphine didn’t help. All he had to do was push a button for it to drip inside his body but he didn’t. And there was a tube that kept draining out liquid in his stomach. He just kept shouting, ‘Mara! I wanna go!”

Later in the day when two friends came over he said to me, ‘Mara, ayusin mo ako’. He wanted to look good up to the very last moment. The nurse awakened me at 4 am the following day to say that his breathing was slowing down. I held his hand and called Dr. Bonoan, Jojit and the gang to come immediately. They didn’t make it on time. I was the only one with Benjie at 4:50 am on June 26 when he drew his last breath.”


A Filipino priest told Mara that Benjie was a chosen soul, someone who prayed for others, and who died a saintly death. A memorial mass at the Blessed Sacrament Church in New York was held on June 28 and attended
by close friends and colleagues. Present were Benjie’s beloved gang.

Goodbye Benj. You will be my brother for keeps. I will always
remember your laughter, your looks, your determination, your success, your sadness and your fears. You had an incredible journey on earth where friends loved you more than a mother, a father, a brother or a sister could ever have. Alone, you made
something out of your life. You lived, Benjie. And your soulmate did come for your transition to paradise.

Sleep now … peacefully. You were a great inspiration, your mission is accomplished. You are truly home at last.

Tuesday, July 8, 2008

Concerto, The Film (Cinemalaya 2008)

Concerto, The Film (Cinemalaya 2008)Jul 8, '08 12:45 AM
for everyone


My husband is watching my rehearsals at the CCP Main Theater because he will shoot the performances of Galaw Galaw that I’m directing. It's a show featuring dance groups in the country.

Paul Morales, the artistic director of the Airdance Company, approaches him and says, “Nonoy, would you consider acting in my film?”

“What film?” Nonoy asks.

“A film about my family, during World War II. I’d like you to play the father.”

“Sure!”

Back home, my husband chuckles as he relates the invite to me.
(He is a former danseur of Ballet Philippines.)


“You’re gonna be a film actor?!?” I ask. “Discovered in your 50’s while watching my rehearsal???”


Paul Morales is a dancer/choreographer himself who has done successfully in theater and film. Well, okay.

Paul Morales = dance.

Nonoy Froilan = dance.

“Was the ‘father’… a dancer?” I ask.

“No, a former miltary officer,” he replies.

“Uy! Bagay! You’re so masungit nowadays
anyways … just act like you do to (our son) Raffy. Wa ha ha!”

I can’t describe Concerto because I haven’t seen it. All I know is the film is based on a true story about Paul’s kin.

In a nutshell: a Filipino family moves to the forests of Davao during WWII where they meet
Japanese soldiers in a camp. In the
hub of mortar blasts, endurance and survival, a musical concert marries war with friendship.

Interesting! Unique!

They shot the film at Casa San Miguel, Zambales, better known as the Bolipata brothers’ haven for artists.

The film features Jay Aquitana, Meryll Soriano, Shamaine Buencamino, Elijah Castillo and Alynna Lescano.


Incidentally, I watched Shamaine Buencamino in Floy Quintos's Ang Kalungkutan ng mga Reyna at the CCP Labfest 4 recently. I’d like to take this opportunity to rave about her. Shamaine really nailed the role of the queen-wannabe president. Not once did she depart from the idiosyncrasies of the fabulous character that only an actress of her caliber can do justice to. I tried to catch her ‘act’ but not once, not once did she flinch. An eccentric role like that can open many windows to theatrical clichĂ©s – so dangerous to inept artists. But Shamaine, with her mind-boggling talent, was so credible and funny I was teary-eyed. She is one of God’s greatest gifts to the Pinoy performing arts. Shamaine is also appearing with her equally exceptional husband, Nonie Buencamino, in the film, Hubad.



Oops, back to Concerto. Okay,
some chismis. I tell Nonoy to give me a few inside stories so I can write about the film. Now this guy isn’t very
talkative (unless he
has sipped about 5 glasses of wine.) “Please give me i
nteresting snippets,” I beg.

He tells me that during one shoot the cast goes on a break and the young actors ask him about ‘ballet’. He tells them about ballet class, the positions of the arms and feet, the beautiful lines
that dancers work on. Meryll steps up to demonstrate her skills. She
takes classes with Douglas Nierras, according to Nonoy. “Ang cute naman ni Meryll,” he adds.

Then he asks the girls to point their feet and discovers that Alynna has the gorgeous arches of a ballet dancer. “You should be a ballerina!” he exclaims.

“Then what?” I ask.

“That’s it. She has nice feet.”

“Noy! More … more …”

“Oh and I always took small bottles of wine with me to

Zambales. Viking and I had many discussions about life.”

“Noy, yes, but the film, the film …”

“Well, I wish we had more time to bond as a ‘family’. It kinda happened towards the end of the shoot. Sayang.”

“Zzzzzz …”

“Oh, and we had to huddle in one scene because the bombs kept coming. I insisted on a pseudo blast so we would know where the sound was coming from.”

“But why should you know that?” I inquire.

“So we can all bend in the same direction.”

“Ah! Choreography … zzzzz …”

“One night," he continues, "Jed – the stunt woman of Meryll at the piano – played a few songs. Pretty soon, we all started to sing. Very Loud. Si Garry Lim ang nagunguna. Saya namin! Shamaine, who was sleeping upstairs texted Paul to tell us to tone down.”

Yan, intriga! Then what happened?”

“I dunno. I was in bed na but I think Paul went to the group and joined them.”

“Noy, ahm … how do you feel about acting in a film?”

“Nice!”

“I’d probably cringe when I see your face as big as the Main Theater proscenium.”

“Oo nga no?!?”

“How was Paul as director?”

“Pretty calm. He’s good!”

I giggle. “Did you call him ‘direct’ like actors call film directors?”

“Nope, I couldn’t. I just called him ‘Paul’.”

“You know what? I still don’t know what to write.”

“Just tell people to watch the film!”

“Maganda ba? Have you seen the trailer?”

“Nope.”

“Well a lot of people told me they saw an excerpt. They said it really looks good!”

“I actually think so,” he smiles.

"Noy, you're on your 5th glass of wine. How come you're not too talkative?"

"Because I had very few lines in the film. Kinukuha ko lahat sa tingin. I think the military character rubbed off on me."

"Sige, tulog na lang tayo."


Please watch the premiere night of Concerto on July 18, CCP Main Theater at 9pm . I can't wait to see the film with you !!!


For more info, call CCP Media Arts, telephone 832 1125, locals 1704 & 1705. KITAKITS at the CCP from 11 to 20 July 2008 at mag-kwentuhan tyo!

Cinemalaya Philippine Independent Film Festival 2008

Tuesday, July 1, 2008

Hubad, the film

HUBAD


It’s funny how I got involved in the CCP’s WiFi Dance Festival, Labfest 4 Theater Festival and now the Cinemalaya Film Festival. As I’ve said in my previous blogs, my husband was asked to judge in WiFi, my daughter had her stage debut in Labfest, and now my husband and daughter have their film debut as actors and my sister as a film director in Cinemalaya. No escape. Ain’t complaining though.

Let me write about Hubad first, since it premieres early on July 13, Sunday, at the CCP Little Theater at 6 pm.

This film began as a play, Hubad,
I remember Denisa being anxious about choreographing Irma and Nonie – her first time to work with the theater luminaries. I assured her that she was in good hands and the collaboration turned out to be a scream.

The triumph that followed drove Denisa to dig deeper into the real significance of the play – the prohibitions of our sexual conventions and the lies that accompany them. My Bohemian sister – who stayed in New York for 13 years – knew there was something deeper than the parodies, something that was not funny at all.


She and film-maker Mark Gary sat with the two writers to develop the script. They interviewed artists and probed into the financial, emotional, mental, physical and spiritual anguish of their artistic lives. Veering away from a comic viewpoint and penetrating the dim realities of the performing arts proved taxing for all. Rody Vera and Liza Magtoto bowed out, writer Ron Bryant came in and left, my other sister, Beatrice and Dennis Marasigan, as well as the main actors in the film, lent their most insightful hands.

The readings went on as the script evolved, much like what we see in the film. So in effect it was a film writing itself complete with exasperating inter-relationships and views. The screenplay didn’t make it in Cinemalaya but Denisa and Mark kept going; getting financial aid from the NCCA, family and friends. CCP allowed use of its venues in the shooting.

So now there is Hubad, the film. It is not just about a married couple’s sexual fantasies but about artists living heartrending realities. Wounding. Entertaining. Aching. The film is so real it’s almost uncomfortable.


It helps that it has the country’s best actors. Peque Gallaga, Irma Adlawan, Nonie Buencamino, Dennis Marasigan, Shamaine Buencamino, Mailes Kanapi and Audie Gemora – these people don’t just act. Watching them is like stealing into their private lives and you are afraid of being caught.

Add to the list, Jon Santos, Mae Paner, Madeleine Nicolas, Arthur Acuña, Robbie Guevara, Tess Jamias, Adriana Agcaoili, Mike Unson and the Tanghalang Pilipino actors, susmariosep ang swerte ng anak ko … err, that would be Mica Froilan.


No Filipino film has ever dealt with the realities of Art in such a savagely direct way. I hope that, in seeing this movie, people will appreciate the predicament of artists, the very people who imitate them. The film is not just about artists though, but about human beings trying to endure. There is a bit of us in each character that’s embarrassing to watch. Laugh, cry, be humiliated, feel guilty or be avenged. Hubad’s nakedness mirrors our own revolting flaws and it’s time we looked them in the eye.

Admittedly, in the beginning, when my sister yakked about her ideas I thought it was all baloney. A film about theater?!? Who’d be interested in that?!? Kapatid, mag choreograph ka na lang. But after I saw the film – she is right. Artists are fascinating … especially when they are this genuine.



DIRECTORS’ PROFILES

Denisa Reyes

One of the country’s leading choreographers, Denisa Reyes holds an impressive line of choreographic works ranging from classical ballets to modern dance pieces to her name. A former member of Ballet Philippines, Denisa earned her Bachelor’s Degree in Dance at the State University of New York with a Rockefeller grant. As a dancer, she joined several dance companies, and later produced and choreographed major dance concerts most significantly “NEO-FILIPINO” in New York City.

In 1990, Denisa returned to the Philippines and choreographed numerous works for Ballet Philippines. As Artistic Director of Ballet Philippines, the Cultural Center of the Philippines’ resident dance company, Denisa introduced the NEO-FILIPINO Dance Series, her most significant contribution to the Philippine dance scene. It served as a platform for inter-disciplinary collaborations between local and foreign artists from all over the world.

She has obtained several grants from the Rockefeller Foundations’ Asian Cultural Council, the National Commission for Culture and the Arts, and is a recipient of the City of Manila Outstanding Artist Award.

Today, Denisa continues to cross borders. In 2005, she formed samasamaGROUP with fellow artists. She directed her first documentary for artists’ advocacy and multi-media collaborations. She directed her first documentary “The Power of Dance” about the street children of Manila and produced “Sandalang Bahay” (The Leaning House) which went on to become the official selection to the Newport Beach Film Festival and the Fribourg International Film Festival in 2006. “Hubad” (Naked) will be her first feature film.

Mark Gary

Mark Gary is a senior mentor for the International Academy of Film and Television in Cebu, Philippines. He also works as director and director of photography for television commercials such as Sprite, Wrigley, Sarah Lee and Unilever and several award-winning music videos and short films over the past years.

Mark is a graduate of Fine Arts from the University of the Philippines and studied film at the University of California, Los Angeles. He has won awards in Communication Arts, Print and How Design.

A co-founder of samasamaGROUP, Mark Gary directed “Sandalang Bahay” (The Leaning House), which had its European premiere in Fribourg, Switzerland and was an official selection at the Newport Beach Film Festival in California in 2006 and Osian’s Cine Fan in New Delhi in 2007. The film had its theatrical release in Manila in 2006 and 2007. “Hubad” (Naked) will be his second feature film.

CAST

Andre Joaquin PEQUE GALLAGA

Carmen Manahan IRMA ADLAWAN

Delfin Bustamante NONIE BUENCAMINO

Nestor Manahan DENNIS MARASIGAN

Leah Bustamante SHAMAINE BUENCAMINO

Maffi MAILES KANAPI

Teddy Audie Gemora
Gerry Arthur Acuña
Mica Manahan Mica Froilan
Mr. Koh Robbie Guevara
TV Soap Director Jon Santos
TV Soap Writer Adriana Agcaoili
Malou Tess Jamias
MAC Head Panelist Madeleine Nicolas
Voice Coach Mae Paner
Mike Unson as Himself
Radioactive Sago Project as Themselves
Extra roles Tanghalang Pilipino Actors

PRODUCTION TEAM

Producer samasamaGROUP
Directors Denisa Reyes and Mark Gary
Based on Story by Rody Vera and Liza Magtoto
Scriptwriters Ron Bryant, Denisa Reyes and Mark Gary
Director of Photography Miguel Fabie III
Assistant DOP Ivan Sarenas
Associate Producer Beatrice Homann
Line Producer Dodo Lim
Assistant Director Jamie Jumaquiao
Production Manager Lea Sio
Production Design Bianca Davidas
Art Director Ching Danseco
Make-up and Wardrobe Rey Decena
Gaffer Boni Martin
Sound Dempster Samarista
Boom Operator Omar Ali
Production Assistants Jam Mercado
Margaux Salazar
Rafael Froilan Jr.
Editors Dempster Samarista and Mark Gary
Sound Design Mark Cabaluna
Graphics B and C

ACTOR PROFILES

PEQUE GALLAGA
1996, Best Director for “Magic Temple” awarded by Metro Manila Film Festival
1996, Best Screenplay for “Magic Temple” awarded by Metro Manila Film Festival
1983, Gawad Urian Award for Best Direction for “Oro, Plata, Mata”

NONIE BUENCAMINO
2006 Best Supporting Actor for “Batad” by Golden Screen Awards
2005, Best Actor in a Drama Performance awarded by Asian TV Awards
2005, Best Actor in a Musical Performance awarded by Aliw Awards
1997, Best Supporting Actor in a film performance awarded by Star Awards
1996, Best Supporting Actor in a film performance awarded by Star Awards

IRMA ADLAWAN
2007, Best Stage Actress for “100 Songs of Mary Helen Fee” awarded by Aliw Awards
2006, Best Stage Actress for “Ang Pokpok ng Ohio” awarded by Aliw Awards
2005, Best Stage Actress for “Speaking in Tongues” awarded by Aliw Awards

DENNIS MARASIGAN
2007, Best Screenplay for “Tukso” awarded by Cinemalaya Film Festival
2006, Best Adapted Screenplay for “Sa North Diversion Road” awarded by Gold Screen Award

SHAMAINE BUENCAMINO
2007, Best Actress for “Confessionals” awarded by Cinema One

MAILES KANAPI
Mailes’ recent works include Dulaang UP’s “As You Like It”, “Sepharad” and “The Passion of Christ”; Tanghalang Pilipino’s “ Bakereta”, “Orfeo sa Impyerno” and “Insiang”; “Three Sisters” and “The Return of Flor with the Virgin Labfest. She has collaborated with the Necessary Stage’s MOBILE for the Singapore Arts Festival and “Philippine Bedtime Stories” with the Rin Ko Gun Theatre Company in Tokyo. Film credits include “Tukso” and “Endo” for Cinemalaya 2007.

AUDIE GEMORA
In the local theater scene, Audie Gemora is revered as the "King of Philippine Musical Theater" for playing almost all possible roles onstage in his three-decade-old career.

He is President and Artistic Director of Trumpets, a musical theatre company and Producer of STAGES, a management group for young Filipino talents. He is also a sought-after host, singer and director of TV shows and corporate events.

ARTHUR ACUNA
Art is a Filipino-American leading actor in New York’s Asian-American theatre community. He is part of the Ma-Yi Theater Company gang of Filipino-American actors who took home 2003 Obie awards for ensemble performance in the memorable Magno Rubio. He has performed with Pan Asian Repertory, the National Asian American Theatre Company, Ridiculous Theatrical Company. He has played at the Public Theatre and Metropolitan Playhouse in NYC.

JON SANTOS
After stints as a student-actor at the University of the Philippines Repertory Com
pany, Jon flourished in his one-man acts and became the country’s most celebrated mainstream TV comedian. With his chameleon skills, he is most unforgettable in his socio-political satires. His character impersonations helped pioneer stand-up ensemble acts that bubble in the lounge scene every election time in the Philippines.

Today, global Pinoys relishes Jon’s brand of comic wizardry in concert tours all over the world.

ADRIANA AGCAOILI
A graduate of the University of the Philippines, she has essayed major roles with the finest theatre directors in the Philippines. She played role of the young mother in samasamaGROUP’s “Sandalang Bahay”. Adriana remains a mainstay of
acclaimed children’s shows for the country's major TV network ABS-CBN. She has done over thirty TV commercials and has written and directed numerous trade shows here and abroad.

MICA FROILAN
A political science major from La Salle, Mica began her professional career in SykesAsia working as Team Manager. For a stage debut, Mica plays one of the major roles in “Amoy ng Langit” for Tanghalang Pilipino’s Virgin Labfest 4 at the CCP, 2008. She appears regularly as a MYX VJ and hosts special corporate events. “Hubad” is Mica’s film debut.